The time has come to talk about the latest work of Alejandro Sanz. After many listens, the result is none other than to see how Alejandro Sanz is losing the course of his career towards the unknown.
Totally agree with a review I just read where they comment that “continues far from the inspiration of his best days and delves into the failed formula of “Is not the same“.
Where is the most intimate Alejandro, most heartbreaking, more intense?. I understand that an artist evolves, but I don't understand an artist who says he has found his true way of singing and his authentic origin. Is this the flamingo?? it will be but he is wrong all, all.
I liked the boy who struggled with his phonetics and pronunciation better.. I understand, and respect, that once success has arrived, do what fills you the most, but beware, that has a price.
I leave you with this interesting note that, as I have already mentioned before, seems very accurate to me..
Alejandro Sanz offered the best version of himself in “3” and “Plus”. The man from Madrid delivered themes that throbbed sensitivity through the details of love from heartbreak. Dressed in the dress that best suits you, italian melodic song balladeer, conquered the Spanish market and crossed the borders of our country. His romantic lyrics and above all his pulse for melodies made him (as well as a bestseller) a source of inspiration for other Latino musicians.
His most obvious downhill comes with his last two pitches: “Is not the same” and now “El tren de los momentos”, in which the singer undertakes a tour de force towards new genres that underline their limitations. It would be absurd to criticize his concern to open up to new horizons (evolution is a train that every artist needs to catch), but it happens that in his flirtations with hip-hop, reggaeton or fusion does not go well. The presence of the Cuban Lulo Pérez in the production of his latest works seems key to understanding the new parts of his music.
In “El tren de los momentos”, their seventh studio album, Sanz seems to expiate the pain of their separation with a barrage of regrets. The rupture appears in confessional lyrics that air a certain vital disenchantment. The best finds on the album are found in house-brand ballads like 'Where we converge', 'I appreciate but not’ or 'On the soles of your feet'. Although things go awry in poorly digestible concoctions like 'They bother’ or 'The little fight', and failed attempts at felt emotion (case of the tiresome 'I love you and I fear you’ or the outdated and predictable 'You tell him').
The track-list from the album is as follows:
01. Show me your hands
02. To the first person
03. I appreciate but not
04. where we converge
05. On the soles of your feet
06. the little fight
07. you tell him
08. They bother
09. I love you, love you
10. El tren de los momentos
Source: yahoo music
HELLO IT IS TRUTH THAT ALEJANDRO HAS BEEN GETTING OUT OF THE ROAD IN TERMS OF WHAT WE WERE USED TO REGARDING HIM BUT THE TRUTH WHAT HE MADE FEEL SINCE I KNOW WHAT HE SINGS MAKES ME FEEL IT NOW ALSO IT'S JUST BEFORE IT WAS LIKE THE EXPERIENCE OF ANOTHER PERSON AND TODAY IS HIS OWN EXPERIENCE BY HEARING HIS MUSIC I CAN CONNECT I CAN GO TO OTHER PLACES IT'S LIKE BEING IN A FANTASY, WHERE IS MY REALITY?.