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Topic: Air kisses. Live and where Javier Ojeda shows who is.
I know this post is not a recent record, but it was pending and I used to update with more info.
As I said a few days ago Polo Sur is accompanying me, for a little over a month in the many trips, for work, I am doing and I discovered, after many listeners, that is a great job and has a very meticulous production and luxury for each song.
Is seen as the songs have been involved, presented in different atmospheres, in a care rhythms (very different according to the song) where nothing has been left in the air.
South Pole certifies several things. A, Javier Ojeda that rightfully belongs to a theatrical singers transgeneración of, of voice histrions, in one country, Spain, where male performers, sublime unless exceptions, always given them a lot of embarrassment out of his lane and expressive voice. An example to understand: Brassens and Brel to what could be moved only in Spanish American singers. In Spain and we are very excessive or have much sense of the ridiculous. Javier is landlocked (or better, 'Malaguitud'), vocal and physical conditions, origin and character, musical training and carry more years onstage than a palm of Lola Flores, member of that list of performers heterogeneous inhabited from Bunbury to Tino Casal, from Raphael to Nino Bravo, Miguel Bosé from a Javier Alvarez, pasando por Mike Kennedy, Marc by Camilo Sesto or alias Parrot and sins.
Very interesting reflections Javier makes the second part of the interview he gives his opinion of what is currently happening in the music scene.
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This is what Hector Marquez Shelling account one by one the songs:
01.Air kisses: The first item asks in his letter "Something you can touch, something you can feel, something to dream with you "and his guitar sound takes us to the best Roxy Music. In something reminiscent of those original disks Dance, The inner tu reach Contact. Again Ojeda sings from the sun. The witching hour where both dance and the rest of the disc appear again and again.
02.Waist sand: A kind of danceable soul and elegant to Erykah Badu. With a bluesy guitar and a violin line suggestive. "In the shells no longer hear the sea / when you're gone". Show this melancholy as costasoleña where behind every sun ecstasy there is an awareness of paradise leaves, marine cemetery. Ojeda is strong in the recitative. Very catchy chorus.
03.The rolling waves: With film projector noise we heard a low input that could sign U2. "A few years ago all had a slower pace", says this kind of chronic loser melancholy song within the song. A song that could make versions Bunbury himself. It has a bit of his admired Prefab Sprout, able to Micropop narrative with symphonic fanfare.
04.The words just words: A slide guitar and drums open this topic Coki blunt. With the voice of Susana Alva, the singer of his countrymen Butterfly Effect, almost returning the favor of the 48 week number 1 in 40 main theme I think, sung a duet with him, assumed. "Words are just words. Nothing changes as usual "says this good chorus that musically could sign Gainsbourg.
05.Love is dope: Some gasps open this version of the wonderful theme of Ferry and Roxy Music, Love is the drug, with Spanish version of Antonio de la Rosa the last lyricist Danza Invisible… Curiously, sounds more like Bowie Let's dance to the Ferry that idolized him forever. On these issues shows its Adeene Ojeda as who teaches a scar that is not ashamed. Canalleo nightclubs and gambling dens in a voice that you have hearth.
06.Love Emborrachame: We continue with the versions. Love Emborráchame shows one of the weaknesses of the singer: Latin classics and bolero. Javier treble allow you to do things that only a Hector Lavoe (one of his heroes and encouraging their tastes damn) can afford. However, as on other occasions, chameleon no bowiano, but ojedización. Sing something soft and cool cockiness which could break, but it does. "Bolero port, smelling of the sea ", defined this song its composer, Peruvian Mario Cavagnaro. The Toni Romero Malaga keyboards give the Tumbao and the feelin 'that you need this part. Again Javier in his unique club, almost singing at the Teatro del Silencio in Mulholland Drive.
07.Faith Matters: We return walk from shore with a funky dot. The place where emotions Ojeda invite you to reflect on the passage of time. With lyrics by Antonio de la Rosa, sings: "Any illusion lost / can be found after / Because sometimes this life / It's only a matter of faith. /Standing in front of the beach / sea see break your sorrow / And no matter where I go / It always returns to the arena. /It is only a matter of faith ", allows Ojeda show off their vocal qualities more elviseras. A voice histrionics without falling into self-parody or self-centeredness. Tachenko choirs also shine.
08.Blank Pages: The guitar brings us back to melancholy pop. A song written by Mr.. Grey on the lack of inspiration. Again the air of dusk with sea breeze close. The choirs of Alicia Carrillo and Roberto Cantero sax give a plus of tenderness and sensuality to topic.
09.ames: Again Javier is marked a version. On this occasion the Tell it like it is, who popularized the color soulman and crooner Aaron Neville, with music and lyrics by George Davis and Lee Diamond. Based on the adaptation of Freddy Fender Castilian. Javier sings great and simply.
10.The strange journey: Sea waves and sound to the very famous quotes soundtrack Encounters of the Third phase is another song open marine environment, close with quotes sirens cinéphiles. Is the issue with flamenco chill airs. Ma non troppo. Javier gives voice to a theatrical message very soul in a bottle. Fantastic female choirs Natalia Clavier.
11.Without you: This funky with recitative over sensuality is your sexual healing, where more resources seductive and erotic shows with his voice. With a hint aflamencao, Javier lets himself be rocked and rocks the girl who wants to believe that he sings to her. It will sound in clubs, insurance.
12.Pegado a tu cuerpo: Some bells in the background announce that the album ends with its first single. Pegado a tu cuerpo, with lyrics by Juan Mari Montes and a catchy chorus. And a more eighties line. Once again the bass – the bass – of this album, together with the keyboards and guitars they set the rhythm and cadence. The lullaby in the chorus serves to leave you with a strange mix of sensuality, joy and melancholy. You feel like starting the circle again.